- Start dateSeptember 2018
- Course length3 years
- UCAS codeW453
BA (Hons) Costume for Theatre & Screen
BA Costume for Theatre and Screen at Wimbledon College of Arts introduces students to professional costume for theatre, film, television and live performance.
The course offers 2 specialist disciplines; costume design and costume interpretation.
Theatre & Screen News
Content: what students can expect
- To gain an understanding of the essential elements of costume
- To work on both studio and performance based live projects such as costume design for historical and contemporary texts and opera, site-specific production, dance, film and theatre
- To explore colour and texture through mixed media experimentation for two-dimensional design and textile work, and take a creative approach to problem solving during construction
- To be taught by industry professionals, who ensure the development of a realistic working process, that’s informed by current practices and debates
- To be guided through a broad range of skills and technical areas including; analysing texts and characters, corsetry, developing a visual language, drawing, millinery, pattern cutting, garment construction and fabrication, research skills and textile manipulation
- To study historical and social contexts of Western Europe’s evolution in costume through independent research, underpinned by a series of lectures
- An on-going contextual studies programme that builds our students’ knowledge and helps develop their critical understanding of the changing culture of film, television and the arts
- To have access to Wimbledon's shared workshops. View the Wimbledon facilities section
The 2 disciplines of Costume Design and Costume Interpretation are very different, but for part of both the first and second years, students work on the same projects.
Costume Design is concerned with visual storytelling.
- Students should have an interest in people, history and geography
- Students will use a range of sources, including text, images, music, and choreography to analyse and create characters
- There is a focus on drawing and communicating ideas in 2D, but 3D construction skills are explored
- All projects are for live or recorded performance. Students are encouraged to fully understand these contexts within their concept and development work
See work from the degree show - Costume Design
Costume Interpretation is the process of making costumes from a visual reference and developing skills to a very high level.
- It requires imagination, sensitivity, an understanding of context, and excellent interpersonal skills
- At Wimbledon we use men’s and women’s period clothing, cut and construction as a template for understanding the complex challenges of the discipline
- You will have the opportunity to learn specialist traditional skills, such as tailoring and millinery
- Students may also go on to make contemporary work that utilises techniques such as moulding, casting, textile experimentation, metal and leatherwork
See work from the degree show - Costume Interpretation
- Unit 1: Introduction to study in theatre and screen
- Unit 2: Designing and making - the principles of practice
- Unit 3: Designing and making - extending the skill set
- Unit 4: Looking at ideas - debates in the discipline
- Unit 5: Who are you? Establishing a specialism
- Unit 6: Collaboration and its’ connections
- Unit 7: Practice as a laboratory
- Unit 8: You think what? How to research and review work
- Unit 9: Where in the world? My specialism in context
- Unit 10: Where in the world? Extending skills
- Unit 11: Finding your voice - portfolio design, crafting research skills and career planning
- Unit 12: Show your work - independent practice
Work experience and opportunities
As a result of the college's London location and industry links students have the chance to undertake professional work placements during their studies.
Former students have worked for the Royal Opera House, The Globe, Hampton Court Palace, the Rose Theatre and Secret Cinema. They have also worked on the London Olympic ceremonies, the Warner Bros film ‘The Huntsman’ and Netflix productions ’Game of Thrones’ and ‘The Crown’. Others have worked with highly respected freelance designers and film directors.
Students will also have the opportunity to take part in the Erasmus scheme to study abroad for a term in the second year of their degree.
Learning and teaching methods
- Exhibition preparation
- Feedback - written and oral
- Film screenings
- Group and individual tutorials
- Group work and crits
- Guided readings
- Independent study
- Online learning
- Orientations and inductions
- Peer review
- Practical work
- Project work
- Research - individual and group
- Study partners and groups
- Visits and trips
- Work placements
- Induction sheets
- Project logbooks and work
- Reflective journals
- Research portfolios and tasks
- Written assignments
- Lea Anderson - Choreographer
- Nicoline Bailey - Corset maker
- Linda Cooley - Wig maker
- Onyinye Egenti - Film Director / writer
- Javier de Frutos - Choreographer
- Jacqueline Gunn - Designer
- Geraldine Pilgrim - Director
- Clare Strickland - Milliner
- Emily Stuart - Designer
- Simon Vincezi - Artist
- Holly Waddington - Designer
How to apply
Home / EU applicants
You must apply through UCAS, where you’ll need the following information:
- University code - U65
- UCAS course code - W453
The Universities and Colleges Admissions Service (UCAS) application deadline is 15 January.
Following your UCAS application to this course all home / EU applicants will be invited to choose a date for a selection event.
What is a selection event?
A selection event is similar to an interview. You will be expected to bring your portfolio, which will be reviewed by course teams. The event will also give you a chance to meet current students, take a tour of the college and see the facilities.
More details about your selection event will be emailed to you once you have chosen your selection event date.
Applicants will be seen by a team of Theatre and Screen tutors. Applicants may be offered a place on an alternative BA Theatre and Screen course at Wimbledon. This decision will be based on our assessment of an applicants' creative potential and interests.
There are 3 ways international students can apply to an undergraduate course at Wimbledon College of Arts:
Find out more information about applying through UCAS.
Interviews and portfolio reviews - international students can be interviewed in a number of different ways:
- By phone or Skype
- In your country, if your application was made though one of our official representatives
- At our international office based at Chelsea College of Arts
Through the Study Abroad programme international students can apply to join an undergraduate course.
For information on how to apply visit the Study Abroad section.
We select students based on the quality of their applications, looking primarily at their portfolio of work, personal statements and reference.
The standard minimum entry requirements for this course are:
- A Level - 2 A levels grade C or above
- or Pass at Foundation Diploma in Art and Design (Level 3 or 4)
- or Pass, Pass, Pass at BTEC Extended Diploma
- or Pass at UAL Extended Diploma
- or Access to Higher Education Diploma
- or Equivalent EU or non-EU qualifications. For example - International Baccalaureate Diploma pass achieved at 28 points or above
- and 3 GCSE passes grade C or above
We will also consider other evidence of prior learning and experience via Accreditation of Prior (Experiential) Learning - AP(E)L and / or alternative qualifications assessed as offering the same level as the above requirements.
English language requirements
All classes are taught in English. If English isn't your first language you must provide evidence at enrolment of the following:
- IELTS level 6.0 or above, with at least 5.5 in reading, writing, listening and speaking (please check our English Language requirements)
Portfolios should show the following:
- A range of visual recording, such as drawing, life drawing and photography
- Experimentation, which demonstrates idea generation and development
- Visual work which uses form, colour, texture, structure and space
- Design development showing how problems are solved
- Any costume designs or costumes
- An interest in contemporary and historical clothing
- Include your sketchbooks and notebooks
At interview and portfolio review
We look for:
- An interest, commitment and motivation for studying the subject
- An ability to work imaginatively and creatively in 2D and 3D visual media, materials and processes
- An ability to create and develop new ideas
- A desire to learn and an ability to investigate and develop ideas independently
- An ability to communicate your ideas visually, verbally and in writing
- Potential for creative problem solving
- An ability to self-direct and evaluate your own work
- An ability to engage with the idea of character in the context of a dramatic situation
- Visual awareness and an understanding of the creative process
- Cultural and historical awareness of costume
- Motivation for working in costume industry
- A desire to succeed
This course will give consideration to deferred entry application.
Fees and funding
Home / EU fee
£9,250 (2018/19 fees).
Tuition fees may increase in future years for new and continuing students, in line with an inflationary amount determined by government. Please visit our undergraduate tuition fees page for more information.
£19,350 (2018/19 fees).
In addition to tuition fees you are very likely to incur additional costs such as travel expenses and the cost of materials. Please read the information on our additional costs page.
Find out about the accommodation options available and how much they will cost.
Scholarships and awards
There are a number of scholarships and awards available to students on this course. Use our search tool to find out more information.
Careers and alumni
Our graduates have gone on to a range of careers within theatre, film and television. Some have found work as costume makers, designers, wardrobe supervisors and assistants, while others choose to carry on their studies at postgraduate level.
- Tasha Bailey, Olivia Cooper, Saffron Cullane, Charlotte Sewell, Sammie Sheldon - Costume Supervisors
- Sean Barratt - Freelance milliner
- Trisha Biggar - Costume Designer
- Georgina Chapman - Director and designer, Marchesa. Company designs red carpet dresses
- Matthew Chapman - Production Manager, Rainbow Productions Ltd. Company designed the 2012 Olympic mascots
- Phoebe de Gaye - Costume Designer, ‘Musketeers’
- Amanda Hall - Workroom Manager, Royal Opera House
- Kenny Ho - Fashion designer and stylist
- Ellan Parry - Freelance Theatre Designer and previous winner of the Jocelyn Herbert Award and a Linbury Prize finalist
- Martina Trottman - Works for Secret Cinema
- Linda Cooley - Wig specialist, Shepperton Wig Company
- Lara Flecker and Keira Miller - Costume Mounting Specialists in the Textile Conservation Department of the V&A museum
- Naomi Isaacs - Costume Interpreter. Commissions include the West End production of Wicked, Matthew Bournes’s dance productions and Anna Boleyna for the Metropolitan Opera, New York
- Caroline McCall - Costume Emmy Award Winner for Downton Abbey, 2011
- Rachael Pashley - Freelance tailor
- Jane Petrie - Costume Supervisor for Bel Ami, Costume Assistant on Elizabeth: The Golden Age and Costume Designer on the Suffragette
- Mark Wallis - Co founder, Past Pleasures - costume for Historic Royal Palaces